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REVIEW: Crazy Heart
Whenever I wrote about “Crazy Heart” back in December in an Oscar Moment, I lampooned it for its obvious similarities to last year’s “The Wrestler.” Turns out, I was right. But “The Wrestler” was a...
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FEATURE: The Importance of the Speech
At the Screen Actors Guild Awards, they call it “Best Performance by an Actor in a Leading Role.” At the Golden Globe Awards, they call it “Best Performance by an Actor in a Motion Picture.” But at...
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2009: Best Actor
I’m wrapping up the in-depth analysis of this year’s Academy Awards with the Best Actor category. In a perfect world, I would have done the screenplays, director, and picture categories as well. But...
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Oscar Moment: “True Grit”
Unlike “The Fighter,” which seems Academy-appealing on premise, “True Grit” is appealing on pedigree. It comes courtesy of the Coen Brothers, who each have three statues thanks to their work...
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SAVE YOURSELF from “Tron”
Disney has invested quite a bit of money into promoting “Tron: Legacy” – $150 million, to be exact. I’ve been watching as they’ve hyped this movie for the past three years with a fair bit of...
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Random Factoid #516
It looks like Halloween came early (or two months late). In Fort Smith, Arkansas, the setting of “True Grit,” 500 dedicated fans donned eye-patches like Rooster Cogburn, the character played by John...
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REVIEW: Tron: Legacy
The so what factor looms large over “Tron: Legacy” as it thrills the eye but leaves the mind way in the dust. It provides a visual spectacle in an entirely digital world that’s dazzling enough to...
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REVIEW: True Grit
I haven’t seen the 1969 John Wayne ”True Grit,” so I can’t really put the Coen Brothers’ “True Grit” into that context or perspective. What I can do, however, is look at it as just another one of...
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REVIEW: The Giver
If there was any doubt that we’re reaching the point of supersaturation with dystopian YA adaptations, “The Giver” confirms that the tipping point has arrived. I get that life in post-recessional...
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REVIEW: Hell or High Water
“3 tours in Iraq but no bailout for people like us,” reads an eerily accurate graffiti tag on a West Texas building in the opening shot of “Hell or High Water.” The scrawled phrase of anger provides a...
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